Description
Shakespearean thinking is always dynamic: thinking that happens in the living moment of its performance, in quickly passing process. This book offers a model of human mentality that can be shown through the dense immediacy of dramatic thinking, as embodied above all in Shakespeare’s working method. Shakespeare Thinking discusses the positioning of Shakespeare as the paradigm of fully human mental creativity from the Romantics to the latest neurological experiments which show that Shakespeare can reveal new understandings of the hard-wiring of the human brain, and the sheer sudden electricity of its synaptic development.
Table of Contents
Acknowledgements
General Editor's Preface
1. The Original Text
2. Shakespeare's Codes
3 A Shakespearean Grammar
Notes
Index
Author(s)
Philip Davis, Philip Davis is Professor of English Literature at the University of Liverpool. His books include Sudden Shakespeare and The Victorians (Oxford English Literary History).
Reviews
“Shakespeare Thinking is a powerful plea for criticism to engage afresh with Shakespeare’s language as the ‘quick forge’ of a vision that defies paraphrase or synopsis. An urgent, absorbing polemic and a compelling quest to crack the plays’ unique poetic code.” - Professor Kiernan Ryan, Royal Holloway, University of London, UK
Professor Kiernan Ryan,
"Where is Shakespeare now? This question is the brief for a new series of short books from Continuum, an enterprising publisher trying to break down the border between academic literary criticism and books for the thoughtful general reader...Philip Davis's Shakespeare Thinking proposes that Shakespeare's poetry functions like a 'Renaissance brain scanner': his line-endings are a 'form of slow-motion eye-map for actors' voices that offer deep insight into the working of the human brain.' This may sound fanciful, but Davis is such a gifted close reader of the ebb and flow of Shakespearean language that he persuades us he is really on to something." - Jonathan Bate, The Sunday Telegraph
Jonathan Bate,
“In Davis’s hands these ideas prove utterly exhilarating… This book is essential reading.” - Peter G. Platt, Studies in English Literature, Spring 2008
Peter G. Platt,
"Davis offers a series of intricately realized and highly satisfying close readings of Shakespearean language and character.…offers one of the more productive of the many recent encounters between literary criticism and neuroscience. The emphasis on the dynamic, on connections and the ‘movement between’ static locations is a valuable antidote to the reductive localization that sometimes makes vulgar versions of neuroscience resemble a new phrenology…good grounds for optimism about the new dialogue between literary criticism and neuroscience because the are interested in genuine dialogue between the two cultures…there are old things which Shakespeare can teach to brain scientists."
A Journal of Neurology, 2009
Jonathan Bate,
"The ambitious project of the Shakespeare NOW series is to bridge the gap between ‘scholarly thinking and a public audience’ and ‘public audience and scholarly thinking’. Scholars are encouraged to write in a way accessible to a general readership and readers to rise to the challenge and not be afraid of new ideas and the adventure they offer. There are other bridges the series is ambitious to cross: ‘formal, political or theoretical boundaries’ – history and philosophy, theory, and performance."
English Vol. 58, 2009
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