Description
Pink Moon explores how Nick Drake's third and final album has puttered and purred its way into a new millennium. Features interviews with producer Joe Boyd, string arranger Robert Kirby, and even the marketing team behind the VW Cabrio commercial that launched the album to platinum status more than thirty years after its release.
Author(s)
Amanda Petrusich,
Amanda Petrusich is a writer for Pitchforkmedia.com and a senior contributing editor at Paste magazine. Her work has appeared in Spin, the Village Voice, the Oxford American, and elsewhere. She is the author of It Still Moves: Lost Songs, Lost Highways, and the Search for the Next American Music, a travelogue about early Americana music forthcoming from Faber and Faber in 2008. She has an MFA in nonfiction writing from Columbia University and lives and works in Brooklyn, NY.
Reviews
“The latest addition to the evergrowing
33 1/3 series (now up to volume 51) is an in-depth look at Nick Drake's final
album "Pink Moon". Tackling a 28 minute album of sparse folk by an
artist whose life went largely undocumented (there are no known video clips or
interviews with Drake) is a daunting task, but Petrusich handles the job nicely
by telling the story through interviews with the people who knew Drake and
worked with him musically, as well as testimonials from current artists who
have felt his influence. She also does a great service to the readers by not painting
Drake as some romantically doomed poetic soul, like so many other writers have
done in the past. In fact, she does an excellent job of dispelling many Drake
myths (ex: he didn't anonymously leave the tapes for Pink Moon at Island's reception desk without saying a word), and even
points out flaws in the album (many of the vocals are garbled). The most
interesting part of the book is the final third which focuses on Pink Moon's
21st Century revival thanks to a 2000 Volkswagon commercial featuring the title
track. While many make the argument that using a song to push a product
cheapens the artistry of the song, "Pink Moon" was used to such great
effect that it has simultaneously become synonymous with Volkswagon. More
importantly, thanks to commercial exposure, annual sales of the album jumped
from 6,000 to 74,000 in the year that it hit the airwaves - exposing Drake's
work to a new generation. Perhaps the best praise I can give the book is that
after I finished reading it I put it down and listened to Pink Moon.” –Losing Today.com
,
''one of my favourites in Continuum's 33 1/3 series of books on seminal albums.''
Largehearted Boy, August 2008
,
"is an ambitious project...Petrusich is up to the task, and her travels weave an essential sense of place into her exploration of the evolution of Americana music."
Julian Koster, Largehearted Boy, August 2008
,
“[A] fascinating read and a worthy inclusion in the pantheon
of great books about great records.” –Skyscraper magazine
Matthew van DeWitt,